Horizon Found

When Bill Moses discovered Shangri-La at Casa Barranca in Ojai, he dedicated himself to the restoration—and continued growth—of an architectural masterpiece.

By Laura Hout


ar from the blare of 101, off the grid and under the stars, Casa Barranca sits in quiet repose, a rarified remnant of California history, a century-old grand dame veiled in live oaks. Commissioned in 1908 as a winter home by oil magnate Charles M. Pratt, Casa Barranca sits on a ridge overlooking the Ojai Valley, depicted as Shangri-La in the Frank Capra film Lost Horizon.

Designed and built by architects Charles and Henry Greene—famous for their Craftsman-style homes—Casa Barranca is the country cousin of the famous Gamble House in Pasadena. One of the most significant landmarks in Ventura County, Casa Barranca was recently named to the National Register of Historic Places. This fall, current owners Bill and Eliza Moses will host a reception in the home as part of the 2008-2009 Greene & Greene Centennial sponsored by the Gamble House.

Renowned as American’s finest practitioners of Craftsman-style architecture, Charles and Henry Greene founded their reputation on five buildings, called the ultimate bungalows, which were completed between 1907 and 1909. Extensive publicity in magazines like House Beautiful, Good Housekeeping, Architectural Record, Country Life in America and Ladies Home Journal fostered a series of pattern books, and the Craftsman-style home quickly became the most popular and fashionable small home built in the U.S. from 1915 to the early 1920s.

“Of the five bungalows, Casa Barranca is perhaps the least well known, but arguably one of the most impressive,” says Ted Bosley, curator of the Gamble House. “I believe Casa Barranca is very nearly the epitome of what the Greenes wanted to design throughout their careers.”

It was here, Bosley notes, that the architects took full advantage of an extraordinary confluence: wealthy clients who gave them free reign over design, a stunning physical site, and a pair of Swedish craftsman, brothers John and Peter Hall, who could execute their vision.

“The main physical feature is the land,” says Bosley, “with a steep ravine that runs from the base of the Topa Topa Mountains to the valley below.” Indeed, the architects’ original L-shaped floor plan became more of a V-shaped form to embrace the natural environment. An east-west orientation provides abundant natural light; shady overhangs and stately oaks provide solace from summer heat. Abundant use of natural woods and rough local stone work encourage the home to blend into the landscape organically, while screened sleeping porches create magical tree houses on sultry, orange-blossom-scented nights.

Original pieces line the walls and the warmth of rich wood and a crackling fire create a perfect setting to enjoy organic wines made on-site.

“The Greenes’ architecture has been called self-effacing,” Bosley notes, and from the outside, Casa Barranca’s wood-shingled visage is entirely different than today’s mock-Tuscan Villas and Mediterranean McMansions. Multi-gabled rooflines echo the mountains behind, while stone terraces and wood decks merge gracefully into rock-strewn gardens. Situated on 14 acres overlooking Stewart Canyon, the structure melds into the land instead of overpowering it, proving Mies van der Rohe’s famous dictum “Less is more.”

This self-effacing beauty was not lost on East Coast entrepreneur Bill Moses, who discovered Ojai while visiting friends in 1993. And when his friends alerted him that the house was for sale, Moses didn’t hesitate. He moved his family west, left the rat race behind, and has been restoring the house ever since

“Pratt had the pick of the country and his choice of anywhere in Ojai Valley, and he chose here,” says Moses. A collector of Craftsman furniture and art, Moses recognized the home’s historic significance. He realized he had a huge responsibility: to restore a masterpiece faithfully. As conservator of a living piece of California history, Moses committed himself to Casa Barranca’s restoration with characteristic Wall-Street-investor-turned-cable-TV-executive zeal.

Panoramic views of the Ojai Valley and exquisite details combine to make Craftsman-style Casa Barranca one of the world’s “ultimate bungalows."

“The house had suffered neglect,” he says, “but it hadn’t been altered in any significant way.” As it turned out, even something as simple sounding as replacing shingles proved to be a challenge, as the new shingles had to be aged and painted just right to blend in. Inside the home, cedar, oak, Douglas fir, and maple have been burnished to a luxuriant glow, and original elements—such as handcrafted leaded-glass light fixtures—remain intact. Since he bought the home in 1994, Moses has upgraded the plumbing and electrical systems, enlarged a bath and modernized the kitchen. But he’s confident Charles Pratt would have no difficulty recognizing his house.

His strict adherence to period style includes the home’s furnishings. In the early 1900s, Casa Barranca was filled with furniture designed and built by the Greenes in their workshops. Unfortunately, it was dispersed by previous owners to museums and private collections. Moses, with the help of Isak Lindenauer, a San Francisco antiques dealer, replenished the house with appropriate Arts and Crafts pieces by Greene contemporaries such as Gustav Stickley and Charles P. Limbert.

One of the best things Moses did—beyond his meticulous restoration—Lindenauer says, was to negotiate to buy the land surrounding Casa Barranca. “The sellers wanted to break up the property, and Bill said he’d walk away if the house and land didn’t stay together.”

Owners Bill and Eliza Moses bask in the glow of another paradise moment in the gardens at Casa Barranca.

The land itself has a rich history; in the 1960s, His Divine Grace Krishnamurti gave a series of lectures on the hillside at Casa Barranca. That tradition continues today, reports Yogi Times, “as the ‘Who’s Who’ of the California yoga, health, and spiritual communities use Casa Barranca as a backdrop for their private sabbaticals or retreats.” In 2002, Moses added a Craftsman-style yoga studio to the property to accommodate family and community gatherings. Moses has flourished in his role of steward of Casa Barranca, says Lindenauer. “He has acted magnetically in conjunction with the house—its wings are like open arms, and Bill is very much like that, welcoming people into the house, sharing its energy and warmth.”

“I like to think staying in the house helps people reach their inner goals,” Moses says, as the sun pours in like butterscotch flooding the room’s rich wood interiors. Outside, the barranca rushes with February rains, snow dusts the Topa Topas, and the house feels like a wooden ship amid a sea of live oaks, succulents, and citrus. “I think the Greenes would like that too.”

As part of his stewardship, Moses opens the house periodically for civic and non-profit functions, such as the upcoming Greene & Greene Centennial reception in conjunction with the Gamble House. He also rents the house to groups he’s vetted through close scrutiny of their organizational aspirations and personal interviews. World-renowned Yogis and groups like Patagonia have rented the house; even Arts and Crafts aficionado/celebrities have stayed there, though Moses won’t name names.

Moses, who relies on solar power for electricity and water from artesian springs, says his goal is to create a sustainable, organic, home-based business—and give back to the community. Once a student in Aix-en-Provence, France, one of his passions is handcrafting small lots of Viognier, Pinot Noir, Grenache, and Syrah. In 2004, Casa Barranca Winery became the first certified organic winery in California’s Central Coast region, and has garnered gold and silver medals at the San Francisco Chronicle and Long Beach Grand Cru competitions.

“When I first moved out here, my friends on the East Coast wondered what I was doing,” he says. “Now they’re all looking for their own piece of paradise.”

Steward of the land and conservator of a living piece of California history, Moses, and his growing family, have found their place in the sun. As Architectural Digest once reported: “A closer approximation to Shangri-La is difficult to imagine.”


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